Manson initially claimed the horse had broken his hammer in a picture sent to the owner.īut after wondering why their usually docile horse would have reacted in such a way, the owner decided to review CCTV footage from the yard. Manson was previously suspended from the professional register of farriers in April 2021įollowing the hammer attack on the horse on April 1, 2022, the court heard Manson was unaware his actions had been caught on camera. Manson was convicted of carrying out a sustained campaign of harassment against his girlfriend for more than three months which included stealing her underwear, squashing her with a door and sending her a distressing card, Gloucestershire Live reported at the time. The RSPCA confirmed to MailOnline it was heard in court that Manson was previously suspended from the professional register of farriers in April 2021 after a criminal conviction in June 2019 for causing fear of violence to an ex-partner. Manson was given a 12 week suspended prison sentence, a ten year animal ban and unpaid work for the repeated assault on the animal at Cheltenham Magistrates Court. The attack lasted six-and-a-half minutes with the horse tethered to a rope - unable to escape. Scott Manson, 34, was called in to re-shoe the horse but lost his temper and used his hammer to repeatedly strike the animal. With that in mind, we wanted to give readers the option of toggling between the transcript and the supplemental content, without sending them to a new page.A farrier who was caught beating a horse nine times with a hammer in an attack that lasted more than six minutes has avoided jail after footage of the brutal incident emerged. The audio player on “The Daily’s” podcast pages is often followed by supplemental content related to the episode. We decided to build the feature into our podcast pages and our embeddable audio player, but what that actually looked like took some experimentation. When we approached this design project, we knew that transcripts needed to be easily findable, and we knew that they had to be closely tethered to the original audio piece. We took feedback from Times readers and listeners of “The Daily,” and we designed for accessibility, shareability and reference. Before the transcript is published, a Times editor reads over the document to review its accuracy and replace the generic labels with the names of those speaking.Īlthough we could have simply pasted the full transcript on the page, we decided to introduce more interactivity into our transcript pages. The document that 3Play produces not only captures the words of the show, but also includes labels that indicate when different people are speaking. Being able to hand off the task of the transcription is key in a workflow that is already packed and very fast-paced. We instead opted to use 3Play, a third-party service, to transcribe the audio. For podcasts that publish frequently, like “The Daily,” doing our own transcription wasn’t a feasible option for us. While we could have a Times producer listen to every episode and type out what they hear, that would be too time consuming. The process of transforming audio into text can be tedious. The script-like layout is great for understanding what is mentioned in an audio clip, finding a line that covers a particular subject or copying a salient quote to share on social media. Reporters often use transcripts to find and reference quotes from interviews, but transcripts can be useful to readers, too. Each line of the transcript is printed alongside its corresponding timestamp, making it easy to navigate the audio file. What are audio transcripts?Īn audio transcript is a word-for-word text document of an audio file. It’s important to us that all of our readers can engage with our report, whether they choose to listen, share or read, and audio transcripts are a big step forward in our commitment to make Times content accessible to all users. We’re releasing audio transcripts for each new episode of “The Daily,” with transcripts rolling out for other Times podcasts in the future. Over the past few months, we’ve experimented with ways to make our audio content more accessible to readers. What makes podcasts so special, also renders them inconvenient: they can only be heard. That is because “The Daily” has only been available in audio form, which means its report is inaccessible to many of our readers. This is ‘The Daily.’” But a large number of Times readers have never heard Barbaro’s greeting. It’s an introduction familiar to many: “From The New York Times, I’m Michael Barbaro.
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